Nadav Kander
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Works in Series
Field X (A3400), England, 2001
Field V (A4177), England, 2001
Field XI (A3400), England, 2001
Field VI (A46), England, 2001
Field II (Ford Dealership), Indiana, 2001
Carpark I, 2001
Field XV, Colorado, 2003
North Sea I, Scotland, 2021
Pacific Ocean II (Santa Monica Pier), Santa Monica, 2001
Pacific Ocean I ( Santa Monica Pier), Santa Monica, 2001
Pacific Ocean III (Gladstones 4 fish), Santa Monica, 2001
Atlantic Ocean III (Copacabana Beach), Brazil, 2003
Pacific Ocean V (Gladstones 4 fish), Santa Monica, 2001
Atlantic Ocean I (Copacabana Beach), Brazil, 2001
Pacific Ocean IX (Gladstones 4 fish), Santa Monica, 2001
Atlantic Ocean IV, Copacabana Beach, Brazil, 2003
Pacific Ocean IV (Gladstones 4 Fish), Santa Monica, 2001
Pacific Ocean VIII (Gladstone 4 fish), Santa Monica, USA, 2001
Atlantic Ocean II (Copacabana Beach), Brazil, 2003
Landscape III, 2001
Landscape IV, 2001
Colour Fields
Field X (A3400), England, 2001
Field V (A4177), England, 2001
Field XI (A3400), England, 2001
Field VI (A46), England, 2001
Field II (Ford Dealership), Indiana, 2001
Carpark I, 2001
Field XV, Colorado, 2003
North Sea I, Scotland, 2021
Pacific Ocean II (Santa Monica Pier), Santa Monica, 2001
Pacific Ocean I ( Santa Monica Pier), Santa Monica, 2001
Pacific Ocean III (Gladstones 4 fish), Santa Monica, 2001
Atlantic Ocean III (Copacabana Beach), Brazil, 2003
Pacific Ocean V (Gladstones 4 fish), Santa Monica, 2001
Atlantic Ocean I (Copacabana Beach), Brazil, 2001
Pacific Ocean IX (Gladstones 4 fish), Santa Monica, 2001
Atlantic Ocean IV, Copacabana Beach, Brazil, 2003
Pacific Ocean IV (Gladstones 4 Fish), Santa Monica, 2001
Pacific Ocean VIII (Gladstone 4 fish), Santa Monica, USA, 2001
Atlantic Ocean II (Copacabana Beach), Brazil, 2003
Landscape III, 2001
Landscape IV, 2001
Colour Fields

This series is in stark contrast to the idea of photography as a ‘decisive moment’. It presents views that cannot exist naturally. There is no natural lighting circumstance that would render a field gradating and falling into blackness. These are manmade views lit by manmade light.

Simple planes of colour and texture are brought forward, greatly reducing any reference to nature. These abstractions are made with the aim of being sensuous and expressive.

Related Project Work
Night
View in Monographs

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